The more I make, the more I realise that my quilts aren’t really for decoration—they’re stories, stitched into fabric, each one weaving broader social themes. I draw on the rich history of textile arts, especially its roots in women’s work, to explore topics like gender, work, inequality, and prejudice in all forms to all people.

The creative process starts with lots of research;  I read about the themes I want to highlight and gain inspiration from various sources, perhaps developing these ideas into initial sketches, collecting a mass of work. I spend time carefully choosing fabrics and threads that will bring each piece to life.

I often dye and print my own fabrics, layering the story into each piece through fabric appliqué. This brings added depth and texture to the quilt, hopefully enriching the narrative. Machine free hand sewing can be quite contemplative and each stitch a deliberate choice that adds to the theme. Painting adds yet another layer, giving dimension and personality and is an essential part of the quilts.

In addition to my solo work, I’ve shown my quilts in the UK, the USA, and Australia, and had the honour of exhibiting alongside Tracey Emin in London. I’ve also won Open Competitions and Visitors' Choice awards.

Looking ahead, I hope to expand the reach of my quilts, both geographically and thematically. I’d love to challenge perceptions and inspire people with powerful quilts. My future work will probably continue to address a range of social issues, creating space for dialogue and reflection, and pushing the boundaries of art quilting.

I also want to keep growing as an artist, experimenting with new techniques and ideas that reflect the times and the people around me.